New York: SI. Martin's Press, t Clum writes in the first chapter of Something for the Boys, "I don't want the closet back, but I want some fabulousness"
We have put together an incredible cast and creative team for this project, and we will work in rehearsals over the next few weeks to reimagine and re-contextualize canonical musical theater songs for queer voices, and then share our work with you in one really special and exciting night! All donations will go directly towards the creation of this production, including the funding of a performance space, stipends for our accompanist and photographer, and sheet music. We strive to provide the highest quality of work possible, and the more financial support we receive, the more capable we are of producing strong theatre, and giving our artists the support they deserve.
This homegrown musical about a teenage drag queen was a tidy hit for the Sheffield Crucible earlier this year. It's a peppy, lovable exploration of what it's like to be an outsider, with songs by Dan Gillespie Sells of pop band The Feeling. It follows a 21st century fashion designer who buys the building, then gradually uncovers its history in a series of scenes that bring the singing, dragged-up world of its regulars to life.
The stereotype that if a man is gay, he must love theater, especially musical theater. He'll know every play worth knowing in a given season, will be familiar with every Broadway leading lady living and deadand owns the soundtracks to his favorite musicals that he sings with gusto. When he's not onstage himself, he'll religiously attend the plays in his hometown's biggest theater or theater district. As one can imagine, this trope extends all around.
Theatre Journal What is a gay sensibility and how is it validated by musicals of the s, s, and s? How has gay liberation affected the creation of musicals as well as their reception?
We asked our social media followers to share the LGBTQ heroes in real life and onstage that inspire them. Several of our readers also shared their personal stories of the people or characters who inspire them:. Prior Walter: The whole play has taught me about myself and came to me in a time of great confusion over who I was.
On Tuesday, an England-based musical teacher named Jacqueline Hughes wrote about a young student of hers named Charlie who had gotten bullied and beaten up by hateful students at her school. On Twitter, Hughes wrote :. Industry friends I need a wee favour.
New York City began June 27th, with Judy Garland 's funeral and ended it with an event that many consider with debatable accuracy to be the birth of the Gay Liberation movement. At A. After years of accepting police oppression, gay men were finally angry enough to fight back.
There is still a great way to go in terms of fair representation, but the report suggests that TV is moving in the right direction. Long stereotyped as a passion and pastime of gay men, it is rare, however, that we find musicals reflecting aspects of gay life. What troubles me more than the stories modern musicals choose to tell is how frequently attempts to address this issue are offered through tokenism — and how frequently this is ignored by audiences and critics alike.
During the 19th Century, theatre people were viewed by most of Western civilization as undesirables. Gays of the s had something resembling a safe haven in theatre. In a business where actress Sarah Bernhardt blithely announced that she slept in a coffin, no one really cared if a supporting actor was "that way," or if an effeminate dresser twinkled with admiration as he assisted the leading man into a costume.